Showing posts with label young adult. Show all posts
Showing posts with label young adult. Show all posts

Sunday, March 23, 2014

What if you could interview the main protagonist in your book?


Title: Stepping Off A Cliff
The St. Augustine Trilogy: Book II
Author: Doug Dillon
Length: 321 Pages
Genre: YA Paranormal
Released: November 11, 2013
Presented by: As You Wish Tours




Doug Dillon Interviews fifteen-year-old Jeff Golden
(Location: The Athena Restaurant, St. Augustine, Florida)
Doug: Jeff Golden! Good to see you. Have a seat. Want anything to eat?
Jeff: Nah, nothing for me thanks. I’ve only got a few minutes. Gotta meet Carla over at the research library. So what’s up, author man?
Doug: Oh, I just wanted to get your views on the paranormal now that you’ve had a lot of experience with it. I’m starting to write Book III of The St. Augustine Trilogy and . . .
Jeff: Oh no! Come on, Doug. To be honest, I’ve had way to much experience with that stuff.  You really piled it on me and Carla in Books I and II. I really don’t want to talk about it right
Doug: Mmm, OK, I understand but I don’t want to misrepresent your outlook.
Jeff: Just as I figured. You’re going to add tons more paranormal crap in your next book and put Carla and me in even more danger.
Doug: Uh, well, that’s kind of the idea in fiction.
Jeff: Yeah, great. Easy for you to write it that way but hell on us. Did you ever think about that?
Doug: But you’ve both learned so much from Lobo and your paranormal powers keep
increasing. Doesn’t that make you feel less afraid and stressed out no matter what happens?
Jeff: You just don’t understand. To you, the scary fictional situations you create in these novels
are reality to us. We actually live it. Did you ever think about that?
Doug: Sounds like you resent me even creating these novels at all.
Jeff: It isn’t that. You’ve given us life but then you ignore that we truly have our own reality.
Doug: I never thought about it that way.
Jeff: OK, so think about it now, please. I’m sitting here talking to you, right? I’m not just a
made-up piece of your imagination any more.
Doug: So does Carla feel the same way?
Jeff: Yes and no. She doesn’t like it any better than I do but she says you’re just doing your job.
Doug: I see. So then, Jeff, what would you have me do differently in the last book of the trilogy?
Jeff: I don’t know, really. I guess I would just ask you to remember that you truly do create the
reality that we, your characters, have to endure. We can feel it when you don’t.
Doug: Really? And how should I do that?
Jeff: It’s what’s in your mind that counts. You don’t actually think of us as real. What you don’t
get is that by creating us we truly exist in a parallel universe. Otherwise, I couldn’t be sitting here
Doug: Uh, you’ve got me there.
Jeff: Good. Maybe that understanding will shake you up enough to treat us as equals instead of
some kind of subhuman beings.
Doug: Ouch! Guess I deserved that.
Jeff: Just work with us, Doug, that’s all we ask. Sorry I didn’t answer your question. Let’s set up
another interview and we’ll try again.
Doug: Will do. You’ve given me a lot to think about. Thanks.
Jeff: Cool. Gotta go. Carla’s waiting.



Stepping off a cliff by Doug Dillon
An otherworldly, evil and dangerous force infests America’s oldest and most haunted city, St. Augustine, Florida. Everyone living there, or visiting, is at risk in ways too horrible to imagine.
Standing between this invader and the people of St. Augustine are teenagers Jeff and Carla, the mysterious Native American shaman, Lobo, and Lyle, the homeless guy.
In their quest to save themselves and all the inhabitants of this ancient, Florida city, Jeff and Carla uncover lost parts of St. Augustine history, push past the limits of space and time, and
encounter what they come to realize are the true walking dead.





Book Trailer by Book Dragon Designs


A former award winning educator, Doug writes about things paranormal and historical. His interest in the paranormal comes from personal experiences as detailed in the nonfiction adult
book he and wife wrote titled, An Explosion of Being: An American Family's Journey into the Psychic. Out of those events and extensive historical research, he then created Sliding Beneath the Surface for young adults, Book I of the
St. Augustine Trilogy. Doug set his trilogy in the oldest and most haunted city in the United States, St. Augustine, Florida.




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Wednesday, March 7, 2012

Time flies when you're having fun!

There is that old adage that goes 'Time flies when you're having fun.'  Time does seem to be going faster and faster, but maybe it's because I seem to be getting busier and busier that I just stop noticing time.  Time only drags when we have nothing to do and spend our time staring at the clock willing the seconds to tick by.  Some days I wish I had the time to stare at the clock.  I'm not always sure that I'm having fun, but I am definitely filling up my time.
One person that seems to be spending his time wisely and having fun is YA author J.A. Beard. 
J.A. Beard is a restless soul who is luckily married to an equally restless soul. His two children are too young yet to discuss whether or not they are restless souls. When he hasn’t been writing, studying history, or making excuses for not writing, he’s tried his hand at several careers including intelligence analysis, programming, and research science. Though he likes to declare himself the Pie Master, he’s yet to prove his worth in the brutal baking show-downs of Celebration, Florida.  J.A. Beard has taken The Wizard of Oz and had a lot of fun with it, turning it into contemporary YA fantasy. 
In this loose re-imagining of the Wizard of Oz, Kansas teen Gail Dorjee has tried to escape from the pain of her parents' death by retreating into a hard shell of anger and sarcasm.
When her aunt and uncle ship her off to an elite Seattle boarding school, Osland Academy, she spends her first day making enemies, including the school's most powerful clique, the Winged, and their leader, the ruthless Diana.
Social war and the school's uptight teachers are only mild annoyances. Mysterious phone outages, bizarre behavioral blocks, and strange incidents suggest Osland is focused on something much more sinister than education.
Now Gail has to survive at Osland with a pretty pathetic assortment of potential allies: her airhead roommate, a cowardly victim of the Winged, and Diana's cold but handsome boyfriend, Nick.

We are very privileged to have J.A. Beard contribute to my blog.  He's written a great post titled 'Speaking With Them Not At Them.'
                The question of how “young adult fiction” is defined is often asked during discussions of YA works. Many people who don’t read a lot of YA work tend to assume that any story with a non-adult protagonist is young adult (or, if the protagonist is young enough, middle grade fiction). It’s a seductively easy way to try and label such work, but it’s also somewhat misguided.
                Obviously character age is important, but it’s not the whole picture. Is it more about subject matter? Despite the eternal “What’s acceptable for YA?” debate, a review of critically acclaimed and commercially successful YA fiction tends to suggest that, when treated well, no particular subject is off-limits. Perhaps none should be. YA readers are on the cusp of full adulthood and trying to keep important and difficult themes and subjects out of their fiction is a denial of their expanding maturity and responsibility.
                So if it’s not purely age nor is it subject matter, then what defines young adult fiction? For me, it’s perspective and voice. People at different stages of their life have different perspectives, difference biases, and different ways of thinking. The relative popularity of first person in YA in reflects an attempt to more strongly present the perspective and voice of the non-adult characters. Even for books written in third person, that difference in how it is written is so important in helping the book connect with YA readers. There are so many ways to do this: word choice, emphasis, and general style.
Now some might ask if it’s even all that important to have stories told with the perspective and voice of young adult characters. Plenty of stories include non-adult characters but don’t bother to orient the main style of the narrative around them. Teen readers are more than capable of reading books not explicitly targeting them.
                Sure, teen readers are, but in an age where books are competing for time against so many distractions, do we really want to reduce the chance of any reader connecting with a book?
              Also, the whole idea is a bit unfair. Although people read a wide variety of books and genres (as well they should to expand their horizons) there’s also a certain appeal in connecting with stories you find relatable.  It’s a validation of a reader as a person and an acknowledgement that their perspective has validity.
              I’ll even take this a step farther. I’ve often heard people complain about not understanding teens. If that’s the case, then it would seem some non-teens need to dive into popular (and therefore resonating with readers) YA fiction written from the perspective of teens. Maybe it’ll help expand their “adult” perspective.  J.A. Beard
J.A. Beard blogs at riftwatcher.blogspot.com and is on Twitter as @jabeard_rf.
His current release, a young adult urban fantasy, THE EMERALD CITY, details the transition of a Kansas teen to a sinister Seattle boarding school. It’s available for sale at Amazon, Barnes and Noble, Kobo, and Smashwords.

Wednesday, February 15, 2012

Introducing a great Young Adult author

When I was young there wasn't much in the way of YA fiction.  I found myself at the age of 12 reading Wilbur Smith, John le Carre, Robert Ludlum.  At age 14 I'd progressed to Leon Uris, Frederick Forsythe, Thomas Hardy, E.M. Forster, Chaim Potok.  After that I devoured anything and everything, except science fiction and horror.  Those gave me nightmares.
Nowadays there are far more choices for YA readers.  It is always exciting to find a worthwhile YA author who writes books with a high interest level for teens.  Joana James is one such author.

Joana James is a 28 year old author from the island of Saint Lucia in the Caribbean. She is an I.T. professional by day but in her free time she escapes from the logical world of technology into the artistic world. She is an avid reader and her kindle is her favourite piece of technology. Music is her best friend and that manifests itself through her love for dance and singing.
Joana writes stories that portray the reality of her world. Her first book, a two-part short story series called Rise from the Ashes featured the lives of two young girls struggling in dire circumstances.

Her latest book, Nightmare at Emerald High, brings to the fore a world that everybody knows exists but no one talks about.
I asked Joana if she could write a post telling how she got into YA fiction.  Here are her words...
"My love for writing met my love with youth about two years ago and formed an inseparable bond. For approximately six years, I worked with my church youth department helping to mentor and lead teens. When I decided to take my writing seriously, teens found their way into my books quite naturally.
I’ve seen several situations unfold before me where I’ve had to offer advice and a shoulder to lean on. These situations often find their way into my books.  Reaching out to teens through my writing is my number one goal. 

For me, being able to tell the stories of those who find it difficult to do so themselves is quite rewarding. I love to tell the stories of those who may be hurting or are forgotten. With every story, my hope is that some young person may find enlightenment or, they may just find the answer to a question they found difficult to ask.  If I could touch just one life, prevent one suicide and encourage one person, my job is done.
Nightmare at Emerald High may seem a bit controversial with its subject matter being secret societies and organizations, but in the society that I live, it’s an everyday thing. Our children get tangled up in so many things that warp their thinking and confuse them and their perception of good and evil and right and wrong.  My hope is that Nightmare at Emerald High will be an eye opener for both parents and teens.

I will never stop writing for teens or young adults. They hold a special place in my heart because of the work I’ve done with them. However, I do hope to branch out into other genres."  Joana James

Tuesday, January 31, 2012

10 Things I wish I'd known BEFORE writing my first novel

It's always great to hear authors share their journey and writing tips they discovered along the way.  It's with great pleasure that I welcome award-winning author Emlyn Chand.  She's taken the time out of her busy schedule to share the 10 things she wished she knew before writing her first novel.  You can watch Emlyn's book trailer of Farsighted on Youtube.

This is a guest post by Emlyn Chand, author of Farsighted

When did you have enough confidence in your abilities to officially call yourself a writer?

For me, it was when I first received money for my work as a freelance columnist. For you, it may have been when you finished the first chapter of your first novel or won a prize for a short story. Maybe you never had any qualms about saddling yourself with this label. Maybe you still don’t consider yourself a “real writer.”

Me? Now I know enough to see that I was a writer long before someone handed me that first paycheck. It’s kind of something you’re born with—like it or not.

But being an author, that’s different.

The term writer focuses more on the craft—engaging in the actual activity of writing. The term author encompasses not only the craft but also the business aspect of it.

So when are you worthy of the label author? Why, when you publish your first book of course!

I write this post just days before I make the transition from writer to author. My first novel Farsighted released recently, which means my 26-year-long (AKA life-long) dream is finally coming true. When I look back at the journey that brought me to the peak of this beautiful achievement, I can’t help but think of what I wish I’d have known before starting on my path.

I’ve identified 10 lessons I’ve learned along the way. Maybe you already know these things. Maybe you don’t. I’m gonna share ‘em anyway...

1. Something’s gotta give. Writing is not something you can do with just a little bit of effort. To get through the first draft, editing, what-have-you, you'll have to work hard! Yes, you could space it out over several years, but if you want to finish anytime this year, you’re going to have to make sacrifices. For me, this was less time with friends and family, less television, and less attention to my health (eating right and exercising). Oops.

2. Write what you want to write—not what you think you should be writing. Boy, this was a hard one to learn. I’ve always fallen back on being “that smart girl.” When things didn’t go right in my personal life or when I was picked last in gym class, I took pride in my intellect. Therefore, I’ve always done what I can to improve my wit and make my best trait the best it can be. That being said, I spent a long time forcing myself to read classic literature. I did enjoy it, and I still do, but it’s definitely not what I find most entertaining (YA is). Still I kept at the classic literature because it was important to me that others respect my intelligence (damaged by high school much? :-P). Naturally when I decided to write a novel, it came out as literary fiction. That’s the me I wanted to portray to the world. I wanted people to salivate over my talent and proclaim my literary merit... Except the novel wasn’t that good, because it wasn’t a piece of who I really am. Now that I’ve cozied into YA, I couldn’t be happier. And the larger facade of who I once pretended to be has lifted. I. AM. FREE. Now this lesson doesn’t just mean: don’t put on a false front. It also means: don’t chase trends. Write what your heart wants to write, and it’ll all be good in the end.

3. You’re going to make mistakes. LOTS of mistakes. Practice makes perfect. Well, it makes it better than before. You may be an excellent writer, but if you’ve never written a novel before, you’re a newbie. That’s okay too! When writing that all-important first novel, you’re pretty much going to make every mistake in the book. In my first novel, I really struggled with keeping a consistent point-of-view and writing authentic dialogue. The POV problem was very difficult to fix, but in trying, I learned an important lesson—one I couldn’t have learned if I hadn’t made such huge blunders. Now that I do know how to correct and avoid these problems, dialogue and POV are two of my strongest areas (at least that’s what readers tell me).

4. Writer’s detour is a bigger problem than writer’s block. Writer’s block gets all the PR, but it’s not as dangerous as writer’s detour. When you’re blocked you’re not moving forward. When you take a detour, you’re moving in the wrong direction. Will you get to California quicker by taking a small rest in Boise, or will you get there quicker by following a pretty red car to Ontario first? (My advice, drive straight-on through to Cali if you can). Don’t get so caught up with a minor character (or a theme you want to convey) that you stray all over the place. Which brings me to my next point...

5. Structure is important. We writers fall into two camps: pantsers and plotters. Some pantsers consider themselves superior, because their writing leads their plots—not the other way around. I used to think like that too. Even if you want to keep your plotline fluid, you need some form of structure. Shudder at the thought of outlining? Then mapping your characters is crucial. You need to know where you’re going and/or who's taking you there. Otherwise you’re just groping about in the dark. Yes, writing is absolutely a creative process, but don’t under-estimate the value of good planning.

6. Novel #1 may never leave the drawer. Or it may leave the drawer, journey around the query circuit, and then come right back to where it started. My first novel DID get me an agent, but 9 drafts later, it still wasn’t good enough to publish. When my agent suggested I change 2/3 of it for draft 10, I decided to move onto my next project. I just wasn’t enjoying the process anymore. I’m so glad I finally called it quits on novel #1, because novel #2 is so much better, and now I get to put it out there into the world. If I would’ve kept agonizing over the inferior manuscript, novel #2 may have never happened!

7. When you’re done, you’re not done. I’m just a big ball of sunshine today, aren’t I? But it’s important to understand just how much work follows being “done.” Anne Lamott said it best in Bird by Bird, you’re going to write “shitty first drafts.” I can guarantee it! Don’t let that stop you, just be prepared for it.

8. Writing is a business just as much as it’s an art. Getting a novel published and promoting it once it’s out there is infinitely more work than writing a novel in the first place. That’s not to under-value the writing process, but it’s true. Sure, you can finish your novel, self-publish it, and then do virtually nothing to promote it. Fine. But if you actually want to sell copies of your book, you’ve gotta handle the business side of things. Finding an agent is an extremely formal business interaction—you even have to write fancy business (AKA query) letters. Marketing your book is a TON of work. It’s pretty fun (at least, I think so, but I moonlight as a book publicist, so I realize I might not be normal). However, being fun is not equivalent to being easy. Not even close. Expect lots of work and lots of stress and not very much sleep. The good news: you get out what you put in, so give it all you can!

9. Querying will destroy your soul. My unhappy place is remembering query letter Hell. I honestly can’t remember anything harder in my life. Ever. Make sure you have a good support system in place. Because even if you’re brilliant, you can pretty much expect a slew of rejections. I ultimately got an agent but had to suffer through 60 “not for us”s first. Of course, it hurts. As writers, we pour our hearts and souls into our manuscript. Our words are a part of who we are. Having a faceless stranger tell you it’s not good enough is pure torture. End of argument.

10. You will sustain injuries. Gosh, my neck is killing me while I’m writing this post. You’re probably going to get neck and back pain too. Headaches from staring at the computer too long. Possible eye problems. Definite poor posture. Maybe even carpal tunnel syndrome. That’s just the way it goes, so be prepared.

Seems pretty cynical, doesn’t it? I <3 the craft and would never abandon it (like I even have a choice), but I find that those who are starting out with visions of Stephen King or JK Rowling-esque fame already see the pretty side of writing—the glamor. Having a balanced picture is so important. Even still, all the practical knowledge just can’t compare to experiential knowledge. Follow YOUR path to author-hood, make your own mistakes, learn lessons from them, and then share with the rest of us.

THE BOOK: Alex Kosmitoras may be blind, but he can still “see” things others can’t. When his unwanted visions of the future begin to suggest that the girl he likes could be in danger, he has no choice but to take on destiny and demand it reconsider. Get your copy today by visiting Amazon.com’s Kindle store or the eBook retailer of your choice. The paperback edition will be available on November 24 (for the author’s birthday).

THE AUTHOR: Emlyn Chand has always loved to hear and tell stories, having emerged from the womb with a fountain pen grasped firmly in her left hand (true story). When she’s not writing, she runs a large book club in Ann Arbor and is the president of author PR firm, Novel Publicity. Emlyn loves to connect with readers and is available throughout the social media interweb. Visit www.emlynchand.com for more info. Don’t forget to say “hi” to her sun conure Ducky!